Bowfinger

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BOWFINGER - DVD MovieFilmmakers often remark that it's just so hard to make a bad picture that few would take on the challenge if they weren't so naive. Steve Martin's Bobby Bowfinger is cut from that pattern, one of those sweet, indomitable operators of Hollywood who seem to be descended directly from Ed Wood (of Plan 9 from Outer Space infamy). To resurrect his ramshackle existence, Bowfinger opts to film his accountant's sci-fi spectacular, Chubby Rain, about aliens invading in raindrops. The snag is he needs to attach action megastar Kit Ramsey (Eddie Murphy), an actor so paranoid he counts the K's in scripts to uncover possible Ku Klux Klan influences. When his effort fails, Bowfinger hits on an ingenious scheme to film Ramsey without his knowledge, throwing his actors at the hapless star whenever he appears in public. Only Kit begins to believe he's being h! ounded by aliens for real, and runs hysterically to his guru (Terence Stamp) at a Scientology-clone group called MindHead, where people walk around in fine suits wearing white pyramids on their heads. Deprived of his star, yet not to be undone, Bowfinger hires a look-alike, Jiff (also Eddie Murphy), to fill in. The tone of the picture is sometimes flat, rather than deadpan, but that's nitpicking. The farce is quick and engrossing, and populated with terrific performances, especially by Eddie Murphy, whose dual role as Kit and Jiff showcases his character-building gift, and by Martin, whose Bowfinger, part con man and part would-be visionary, manages to capture your sympathies. Heather Graham's would-be actress cheerfully sleeps her way to the top like she knows she's supposed to, and Christine Baranski plays her shopworn method actor with myopic self-absorption. --Jim Gay

The Tenth Insight: Holding the Vision (Celestine Prophecy)

• ISBN13: 9780446674577
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

You have never read a book like this before -- a book that comes along once in a lifetime to change lives forever.

In the rain forests of Peru, an ancient manuscript has been discovered. Within its pages are 9 key insights into life itself -- insights each human being is predicted to grasp sequentially; one insight, then another, as we move toward a completely spiritual culture on Earth. Drawing on ancient wisdom, it tells you how to make connections among the events happening in your life right now and lets you see what is going to happen to you in the years to come. The story it tells is a gripping one of adventure and discovery, but it is also a guidebook that has the power to crystallize you! r perceptions of why you are where you are in life and to direct your steps with a new energy and optimisim as you head into tomorrow.Find out for yourself why virtually everyone you know has this book, described as an "adventure in pursuit of a spiritual mystery", on their coffee table. In the tradition of Carlos Castaneda's The Teachings of Don Juan. The adventure that began with The Celestine Prophecy continues as the action shifts to a wilderness in the American Southeast where the narrator's friend has disappeared.

Harry Potter and the Chamber of Secrets (Single-Disc Widescreen Edition)

• The next installment in the Harry Potter series finds young wizard Harry Potter (DANIEL RADCLIFFE) and his friends Ron Weasley (RUPERT GRINT) and Hermione Granger (EMMA WATSON) facing new challenges during their second year at Hogwarts School of Witchcraft and Wizardry as they try to uncover a dark force that is terrorizing the school. Format: DVD MOVIE Genre: SCI-FI/FANTASY Rating:&nb

The next installment in the Harry Potter series finds young wizard Harry Potter (DANIEL RADCLIFFE) and his friends Ron Weasley (RUPERT GRINT) and Hermione Granger (EMMA WATSON) facing new challenges during their second year at Hogwarts School of Witchcraft and Wizardry as they try to uncover a dark force that is terrorizing the school.First sequels are the true test of an enduring movie franchise, and Harry Potter and the Chamber of Secrets passes with flying colors. Expanding upon the lavish sets, sp! ecial effects, and grand adventure of Harry Potter and the Sorcerer's Stone, Harry's second year at Hogwarts School of Witchcraft and Wizardry involves a darker, more malevolent tale (parents with younger children beware), beginning with the petrified bodies of several Hogwarts students and magical clues leading Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) to a 50-year-old mystery in the monster-laden Chamber of Secrets. House elves, squealing mandrakes, giant spiders, and venomous serpents populate this loyal adaptation (by Sorcerer's Stone director Chris Columbus and screenwriter Steve Kloves), and Kenneth Branagh delightfully tops the supreme supporting cast as the vainglorious charlatan Gilderoy Lockhart (be sure to view past the credits for a visual punchline at Lockhart's expense). At 161 minutes, the film suffers from lack of depth and uneven pacing, and John Williams' score mostly reprises established themes. The young, fast! -growing cast offers ample compensation, however, as does the ! late Ric hard Harris in his final screen appearance as Professor Albus Dumbledore. Brimming with cleverness, wonderment, and big-budget splendor, Chamber honors the legacy of J.K. Rowling's novels. --Jeff Shannon

Hotel Atlantico - Movie Poster - 27 x 40 Inch (69 x 102 cm)

• You are looking at a great poster.
• This poster measures approx. 27 x 40.
• Rolled and shipped in a sturdy tube.
• This poster is from Hotel Atlantico (2009)

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Good Lad Baby-Girls Newborn Jacket Pant Set, Red, 6-9 Months

• Jacket-100% Polyester, Shirt-60% cotton/40% polyester, Pants-100% cotton
• Set

Theresa Randle (BAD BOYS) delivers a breakthrough performance as a frustrated New York City actress who reluctantly takes a job as a phone sex operator. But when she discovers her natural gift for aural pleasure, she becomes a different woman to her sports memorabilia-obsessed neighbor (director Spike Lee), her romantic shoplifter ex-husband (Isaiah Washington of GREY’S ANATOMY), and an endless stream of calls from men fueled by dark and wild desires. Even if she loves being every man’s fantasy, can she ultimately handle her own reality? Quentin Tarantino, Madonna, Halle Berry, Naomi Campbell, Jenifer Lewis, Peter Berg, Debi Mazar, Michael Imperioli, John Turturro, Richard Belzer, Gretchen Mol and Ron Silver appear in this sexy comedy/drama written by Pulitzer Prize winner Suzan- Lori Parks (TOPDOG/UNDERD! OG) and featuring a hot soundtrack of hits by PrincePerhaps only Spike Lee could make a dignified yet extremely funny comedy-drama about phone sex. Theresa Randle (Bad Boys) is the title character, a hard-working actress who becomes addicted to this peculiar form of safe sex (the movie is verbal, not physical, in that department) at a high-class New York agency. Throughout the film, Girl 6 (she's unnamed beyond this) sports a dazzling array of new looks, hairstyles, and clothes. Randle radiates every step of the way. Lee even delivers on fantasy elements when Girl 6 finds herself in a send-up of blaxploitation films and a keen lampoon of The Jeffersons (the three-minute sequence is better than any planned TV-to-movie film that may come along). Revelations about Girl 6's life are brought out through her ex-husband (Isaiah Washington), who, in his very flawed but honest way, plans to reunite with her. Better yet are conversations with the next-door neighbor (Spi! ke Lee, doing some of his best work). Solitary, experimental, ! with ple nty of delicious cameos (including Madonna), Girl 6 is playwright Suzan-Lori Parks's first screenplay. Similar in tone to Lee's debut, She's Gotta Have It, Girl 6 also boasts an energetic mix of old and new songs by Prince and, as always with Lee, colorful camerawork. An alleyway kiss near the end is a great romantic image. --Doug ThomasPerhaps only Spike Lee could make a dignified yet extremely funny comedy-drama about phone sex. Theresa Randle (Bad Boys) is the title character, a hard-working actress who becomes addicted to this peculiar form of safe sex (the movie is verbal, not physical, in that department) at a high-class New York agency. Throughout the film, Girl 6 (she's unnamed beyond this) sports a dazzling array of new looks, hairstyles, and clothes. Randle radiates every step of the way. Lee even delivers on fantasy elements when Girl 6 finds herself in a send-up of blaxploitation films and a keen lampoon of The Jeffersons! (the three-minute sequence is better than any planned TV-to-movie film that may come along). Revelations about Girl 6's life are brought out through her ex-husband (Isaiah Washington), who, in his very flawed but honest way, plans to reunite with her. Better yet are conversations with the next-door neighbor (Spike Lee, doing some of his best work). Solitary, experimental, with plenty of delicious cameos (including Madonna), Girl 6 is playwright Suzan-Lori Parks's first screenplay. Similar in tone to Lee's debut, She's Gotta Have It, Girl 6 also boasts an energetic mix of old and new songs by Prince and, as always with Lee, colorful camerawork. An alleyway kiss near the end is a great romantic image. --Doug Thomas

PacSci Petri Dishes with Agar

• Made with the Best Quality Material with your child in mind.
• Top Quality Children's Item.

Discover the fun of microbiology with plastic Petri Dishes and Nutrient Agar. Nutrient Agar is used as a culture medium to cultivat various household bacteria. Detailed Agar preparation instructions included. Three 90mm Petri Dishes and one bag of Nutrient Agar are packaged in bright, colorful packaging.

Camelbak Groove 0.6 Liter Bottle, Graphite

• 20 oz BPA-Free Tritan bottle with a taste filter built right in to the straw.
• Flip and sip with the patented Big Bite Valve.
• Dishwasher safe
• Replacable plant based carbon filter delivers up to 120 litres of fresh tasting water wherever you go.
• Spill-proof

Parties are not always as fun as they look like they should be. The distinction lies in the realm between watching people have fun and actually having fun. Case in point: Groove. Set in San Francisco over the course of one night, this is the story of a rave, plain and simple. Preparation includes inhabiting an empty warehouse, finding the power supply, and sending out coded invitations. The movie kicks in as the party does, when people start arriving and the DJs start spinning. There's a nice moment early on when a cop shows up asking for the owner of the building, who is then taken on a tour of "a new ! Internet start-up." It becomes even funnier when the cop turns out to be smarter and more compassionate than anyone would expect. Writer-director Greg Harrison does a smart thing by focusing the story on David, a novice who's never been to a rave before, which breaks the story out of what could have been the suffocatingly insular world of rave culture. Unknowingly dosed by someone (his brother?), David is adopted by Layla, an attractive but lonely East Coast transplant who has begun to regret her party lifestyle. Other characters include a guy who's just proposed to his girlfriend, a college teaching assistant selling his own manufactured drugs, a nefarious lothario, a DJ who gets to meet his idol, and a gay couple having trouble finding the party. If the characters turn out to be just character types, that's OK because the movie itself floats by on its own high-octane enthusiasm. Groove is light and frothy entertainment with a beat you can dance to. --Andy Spletz! er

Geneva Holliday’s juicy novel brings a lighter touc! h to Afr ican American erotica, setting the sexual escapades amid the real-life folly and drama of four very different friends during one incredibly hot summer in New York City. This funny, sexy book has something for everyone!

Turn tap water into fresh, great tasting water anywhere you go.

Don't Come Knocking Poster Movie French 11x17 Sam Shepard Jessica Lange Tim Roth Gabriel Mann

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Don't Come Knocking 11 x 17 Inches French Style A Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

A TALE OF A WASHED UP HOLLYWOOD STAR THAT FINDS A RAY OF HOPE WHEN HE DISCOVERS THAT HE MIGHT HAVE A GROWN UP CHILD INMONTANA.With Don't Come Knocking, Wim Wenders revisits territory, both literal and metaphorical, first explored in Paris, Texas. Not only does he return to the Southwest, but Sam Shepard is back as co-writer. This time, he's also the star. His Howard Spence is a movie cowboy who's had enough. One day while working in Monument Valley, he takes off his boots and hops a train to Nevada to see his mother (Eva Marie Saint, ! lovely as ever). Little does he know that Sutter (Tim Roth), a by-the-books bondsman, is hot on his trail. Next, Spence travels to Montana where a sad young woman named Sky (Sarah Polley) is recovering from a recent death, while an angry young man named Earl (Gabriel Mann), who sounds much like Chris Isaak, plies the troubadour trade. Spence doesn't know it yet, but they're the results of a rambunctious past that will soon "come knocking," as it were. While in Butte, he also catches up with Doreen (Jessica Lange), a lover from many moons ago. Clearly, Don't Come Knocking is Wenders and Shepard in a reflective mood, even more so than in Paris, Texas, as Spence is older and has more regrets than Harry Dean Stanton's Travis. It doesn't leave as much of an impression, but the film is a worthy addition to the post-modern Western canon. Shot by Franz Lustig, it's frames are filled with intense hues--fiery reds, glowing greens--and a plaintive score by T-Bone Burnett! . --Kathleen C. FennessyThis digital document is an art! icle fro m National Catholic Reporter, published by Thomson Gale on April 14, 2006. The length of the article is 879 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Deadbeats in action: 'L'Enfant' and 'Don't Come Knocking' make challenging viewing.(MOVIES)(Movie review)
Author: Joseph Cunneen
Publication: National Catholic Reporter (Magazine/Journal)
Date: April 14, 2006
Publisher: Thomson Gale
Volume: 42 Issue: 24 Page: 15(1)

Article Type: Movie review

Distributed by Thomson GaleDon't Come Knocking by Jason C feat. Denna-Marie

This product is manufactured on demand using CD-R ! recordable media. Amazon.com's standard return policy will apply.

Give your vehicle a touch of style and individuality with this high quality premium license plate frame made of polished steel. This frame has a durable metal construction and a shiny chrome finish, which gives it a unique and expensive look. The eye-catching sturdy construction of this frame puts feeble plastic frames to shame. It weights about 1 pound and measures about 12.5 x 6.5 inches outside. The distance between two holes is about 7 inches. The frame fits all standard USA and Canada 12x6 license plates and can be used for the front or the back of a car. This frame is brand new and well packaged.The lettering and artwork are done with weather and car wash resistant vinyl that is waterproof and won't fade and will last for many years. This frame also makes a great gift. Sophisticated and trendy, your frame will be the perfect finishing touch on any vehicle.Don't Come Knocking reproduction Approx. ! Size: 11 x 17 Inches - 28cm x 44cm French Style A mini poster ! print
Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

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BIG MOMMA'S HOUSE 2 ORIGINAL MOVIE POSTER

• 27X41
• DESCRIPTION:  Authentic original (or specified high quality reproduction) one-sheet movie poster.
• SIZE: Approx 27x40 inches unless otherwise stated.

Nonstop laughs are back in the house with this super-sized sequel that's wilder, funnier, and filled with even more outrageous new adventures! Martin Lawrence and Nia Long return in a heavyweight hit comedy that's loads of fun for the whole family!

In the interest of national security, FBI agent Malcolm Turner (Lawrence) goes back undercover as Big Momma?a slick-talking, slam-dunking Southern granny with attitude to spare! Now this granny must play nanny to three demanding kids to complete his most outrageous assignment ever!Funnyman Martin Lawrence steps back into the latex fatsuit for Big Momma's House 2, the sequel to one of Lawrence's biggest hits. Malcolm Turner (Lawrence, Bad Boys, Rebound) go! es undercover, turning his Big Momma disguise into a nanny for a computer company executive who may be concocting a means to hack into military databases. But that's just a pretense to get Big Momma coping with a perfectionist mom and her three kids, who are all dysfunctional in cute and easily resolved ways. Naturally, Big Momma dispenses life lessons and catches the crooks while Lawrence does his best to milk his fat drag act for cheap laughs. Unfortunately, those cheap laughs never quite pay off; the script is a wastebasket of cliches and clumsy set-ups for gags that never seem worth the effort. The movie desperately wants to appeal to women with cute kids while luring men with a spa visit featuring scantily clad Victoria's Secret models. Even Lawrence's fans will find themselves snoozing through this one. --Bret FetzerFbi agent malcolm turner and his stepson trent go undercover at an all-girls performing arts school after trent witnesses a murder. Studio: Tcfhe ! Release Date: 06/14/2011 Starring: Martin Lawrence Brandon T! . Jackso n Run time: 108 minutes Rating: Pg13 Director: John WhitesellMartin Lawrence returns as Master of Disguise--well, just one disguise, honestly, but he's really, really good at it--FBI agent Malcolm Turner in the second sequel to 2000's blockbuster Big Momma's House. Here, the agent must throw on the padding to pose as the housemother at an exclusive Female School of the Arts, in an attempt to ferret out a murderous Russian Mobster. The twist? This time he's forced to bring his stepson (Tropic Thunder's Brandon T. Jackson) along with him. The presence of Jackson makes this genially mellow sequel feel like a low-impact passing of the torch, with Lawrence (who also executive produced) seemingly content to let his younger costar handle most of the cross-dressing comedic heavy lifting (ballet lessons, slumber parties, etc.). Only a scene where Big Momma faces off in a game of Twister against an equally gargantuan security guard (an uncredited and very funny Faizon! Love) really feels of a piece with the earlier films. Stranger still is the inclusion of a half-dozen musical numbers, including one in a lunchroom that blossoms into full-out High School Musical territory. Awkward as these song-and-dance interludes often are, the filmmakers should deserve some credit for attempting to inject some form of new energy into a scenario that could definitely use a boost. Longtime fans of the franchise and Lawrence, however, may wonder if someone at Fox accidentally let Glee into the telepod. --Andrew WrightBig Momma's House 2
Disguise is the limit. "Martin Lawrence brings down the house" (E! Online) as crafty FBI agent Malcolm Turner who's willing to go through thick and thin in order to catch an escaped prisoner. "Nia Long is captivating" (Checkout.com) as Sherry, the con's sexy former flame - she might have the skinny on millions in stolen loot, and she's headed for Georgia to lay low for a while. That! 's enough to send Malcolm deep undercover as Big Momma, an ove! rsized, overbearing Southern granny with an attitude as tough as her pork chops. The result is an outrageous comedy of epic proportions, filled with nonstop laughs and plenty of action!

Big Momma's House 2
Nonstop laughs are back in the house with this super-sized sequel that's wilder, funnier, and filled with even more outrageous new adventures! Martin Lawrence and Nia Long return in a heavyweight hit comedy that's loads of fun for the whole family! In the interest of national security, FBI agent Malcolm Turner (Lawrence) goes back undercover as Big Momma?a slick-talking, slam-dunking Southern granny with attitude to spare! Now this granny must play nanny to three demanding kids to complete his most outrageous assignment ever! No one tries very hard in Big Momma's House, so your enjoyment of this Martin Lawrence vehicle pretty much depends on how much amusement you're able to derive from a guy dressed up as a very ample woman. The setup is of the ! eye-rolling, only-in-Hollywood nature: Lawrence, as detective Malcolm Turner, is after a killer, and apparently the only way to capture him is to pose as the bad guy's ex-girlfriend's grandmother, who--the film cannot stress this point too much--is quite large.

Apparently, Sherry (Nia Long), the young woman in question--she's as attractive as Big Momma is, well, you know--is none too bright, for she falls for Malcolm's ruse, which of course ostensibly amuses mainly because it's so transparent. She at least has an excuse--she hasn't seen Big Momma in two years--but Big Momma's oblivious friends must be functional morons. Screenwriters Darryl Quarles and Don Rhymer didn't tax themselves very much, as they have Malcolm-as-Big-Momma going through fairly predictable motions--botching a meal and delivering a baby unconventionally (Big Momma's a midwife), but ruling at basketball and self- defense and protecting Sherry while trying vainly not to flirt with her. Paul! Giamatti is wasted as Malcolm's partner; director Raja Gosne! ll's clu nky sense of comic rhythm is bewildering, because he used to be an editor (he brought a similar lack of magic to Home Alone 3).

Lawrence won't have anyone forgetting Tony Curtis and Jack Lemmon in Some Like It Hot, Dustin Hoffman in Tootsie, or Robin Williams in Mrs. Doubtfire anytime soon. Big Momma's House benefits mainly by being first to the marketplace ahead of Eddie Murphy's The Nutty Professor 2: The Klumps; Murphy's work in prosthetics is far more accomplished, versatile, and funny. --David KronkeDisguise is the limit. "Martin Lawrence brings down the house" (E! Online) as crafty FBI agent Malcolm Turner who's willing to go through thick and thin in order to catch an escaped prisoner. "Nia Long is captivating" (Checkout.com) as Sherry, the con's sexy former flame - she might have the skinny on millions in stolen loot, and she's headed for Georgia to lay low for a while. That's enough to send Malcolm dee! p undercover as Big Momma, an oversized, overbearing Southern granny with an attitude as tough as her pork chops. The result is an outrageous comedy of epic proportions, filled with nonstop laughs and plenty of action!No one tries very hard in Big Momma's House, so your enjoyment of this Martin Lawrence vehicle pretty much depends on how much amusement you're able to derive from a guy dressed up as a very ample woman. The setup is of the eye-rolling, only-in-Hollywood nature: Lawrence, as detective Malcolm Turner, is after a killer, and apparently the only way to capture him is to pose as the bad guy's ex-girlfriend's grandmother, who--the film cannot stress this point too much--is quite large.

Apparently, Sherry (Nia Long), the young woman in question--she's as attractive as Big Momma is, well, you know--is none too bright, for she falls for Malcolm's ruse, which of course ostensibly amuses mainly because it's so transparent. She at least has an excuse! --she hasn't seen Big Momma in two years--but Big Momma's obl! ivious f riends must be functional morons. Screenwriters Darryl Quarles and Don Rhymer didn't tax themselves very much, as they have Malcolm-as-Big-Momma going through fairly predictable motions--botching a meal and delivering a baby unconventionally (Big Momma's a midwife), but ruling at basketball and self- defense and protecting Sherry while trying vainly not to flirt with her. Paul Giamatti is wasted as Malcolm's partner; director Raja Gosnell's clunky sense of comic rhythm is bewildering, because he used to be an editor (he brought a similar lack of magic to Home Alone 3).

Lawrence won't have anyone forgetting Tony Curtis and Jack Lemmon in Some Like It Hot, Dustin Hoffman in Tootsie, or Robin Williams in Mrs. Doubtfire anytime soon. Big Momma's House benefits mainly by being first to the marketplace ahead of Eddie Murphy's The Nutty Professor 2: The Klumps; Murphy's work in prosthetics is far more accomplished, versatile! , and funny. --David KronkePRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.

Volver

• Condition: New
• Format: DVD
• AC-3; Closed-captioned; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

Writer/director Pedro Almod??var's dark, sexy Hitchcock homage is his best work since his Oscar-winning "All About My Mother", and deepened by a sun-dappled sadness. Handsome, enigmatic ?Ångel (Gael Garc??a Bernal) arrives at the Spanish movie offices of director Enrique Goded (Fele Martinez) and happily proclaims that he's actually Enrique's long-lost school chum Ignacio--an announcement that is both less than convincing and more than it seems. A novice actor, ?Ångel pitches a semi-autobiographical screenplay in which he's determined to star, a revenge-laden reflection of the doomed love he and Enrique shared as boys before a pedophile priest cruelly intervened. The script, and the lost days it recalls, carefully unfurls into a series of brooding movies-within-movies and memo! ries-inside-memories, which allow the sensual, multiple-role-playing Bernal to give the performance of his young career--among other things, he makes a stunningly convincing drag queen--and Almod??var the opportunity to movingly suggest that people will pay any price to ensure that their stories are told. "--Steve Wiecking"Writer/director Pedro Almodóvar's dark, sexy Hitchcock homage is his best work since his Oscar-winning All About My Mother, and deepened by a sun-dappled sadness. Handsome, enigmatic Ángel (Gael García Bernal) arrives at the Spanish movie offices of director Enrique Goded (Fele Martinez) and happily proclaims that he's actually Enrique's long-lost school chum Ignacio--an announcement that is both less than convincing and more than it seems. A novice actor, Ángel pitches a semi-autobiographical screenplay in which he's determined to star, a revenge-laden reflection of the doomed love he and Enrique shared as boys before a pedophile priest cruell! y intervened. The script, and the lost days it recalls, carefu! lly unfu rls into a series of brooding movies-within-movies and memories-inside-memories, which allow the sensual, multiple-role-playing Bernal to give the performance of his young career--among other things, he makes a stunningly convincing drag queen--and Almodóvar the opportunity to movingly suggest that people will pay any price to ensure that their stories are told. --Steve WieckingWriter/director Pedro Almodóvar's dark, sexy Hitchcock homage is his best work since his Oscar-winning All About My Mother, and deepened by a sun-dappled sadness. Handsome, enigmatic Ángel (Gael García Bernal) arrives at the Spanish movie offices of director Enrique Goded (Fele Martinez) and happily proclaims that he's actually Enrique's long-lost school chum Ignacio--an announcement that is both less than convincing and more than it seems. A novice actor, Ángel pitches a semi-autobiographical screenplay in which he's determined to star, a revenge-laden reflection of the doomed love! he and Enrique shared as boys before a pedophile priest cruelly intervened. The script, and the lost days it recalls, carefully unfurls into a series of brooding movies-within-movies and memories-inside-memories, which allow the sensual, multiple-role-playing Bernal to give the performance of his young career--among other things, he makes a stunningly convincing drag queen--and Almodóvar the opportunity to movingly suggest that people will pay any price to ensure that their stories are told. --Steve WieckingWriter/director Pedro Almodóvar's dark, sexy Hitchcock homage is his best work since his Oscar-winning All About My Mother, and deepened by a sun-dappled sadness. Handsome, enigmatic Ángel (Gael García Bernal) arrives at the Spanish movie offices of director Enrique Goded (Fele Martinez) and happily proclaims that he's actually Enrique's long-lost school chum Ignacio--an announcement that is both less than convincing and more than it seems. A novice ac! tor, Ángel pitches a semi-autobiographical screenplay in whic! h he's d etermined to star, a revenge-laden reflection of the doomed love he and Enrique shared as boys before a pedophile priest cruelly intervened. The script, and the lost days it recalls, carefully unfurls into a series of brooding movies-within-movies and memories-inside-memories, which allow the sensual, multiple-role-playing Bernal to give the performance of his young career--among other things, he makes a stunningly convincing drag queen--and Almodóvar the opportunity to movingly suggest that people will pay any price to ensure that their stories are told. --Steve WieckingWomen on the Verge of a Nervous Breakdown Pedro Almodovar broke into the art-house mainstream with this wild, manic comedy about a gaggle of women and their various problems with men, be they married lovers, cheating husbands, fiancés, or terrorists. Almodovar's long-time leading lady, Carmen Maura, stars as an actress (famed for her laundry detergent commercial as the mother of a slo! ppy serial killer) who's just been dumped by her married lover. In the midst of trying to track him down for a face-to-face confrontation, she crosses paths with her lover's son (Antonio Banderas), his unbalanced wife (Julieta Serrano), and his new girlfriend (Kiti Manver). Adding more fuel to the fire is the hapless friend (Maria Barranco) who got involved with a Shiite terrorist and is now being hunted by the police. Almodovar, a master of farcical screwball comedy, manages to keep all these balls in the air in dizzy, hilarious style without once losing his momentum. Chock full of the director's over-the-top stylization, in terms of both story and sets, the film is a hilarious yet heartfelt marriage of kitsch and drama, verging on parody but never going entirely over the top. Maura is absolutely breathtaking as the unhinged lover, dispensing wise advice to others while trying to keep a semblance of sanity, and the supporting cast is quintessential Almodovar, including a b! rief but memorable turn by Banderas in what could have been a ! bland, g o-nowhere role. Nominated for the Best Foreign Language Film Oscar in 1989. --Mark Englehart

All About My Mother After her son is killed in an accident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About M! y Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actresses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, All About My Mother approaches its twists and turns with a broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. ----Bret Fetzer

!

Talk to Her
Writer-director Pedro Almodóvar makes another masterpiece with Talk to Her, his first film since the wonderful All About My Mother. Marco (Dario Grandinetti) is in love with Lydia (Rosario Flores), a female bullfighter who is gored by a bull and sent into a coma. In the hospital, Marco crosses paths with Benigno (Javier Camara), a male nurse who looks after another coma patient, a young dancer named Alicia (Leonor Watling). From Benigno's gentle attentiveness to Alicia, Marco learns to take care of Lydia... but from there, the story goes in directions that deftly manage to be sad, hopeful, funny, and creepy, sometimes at the same time. The rich human empathy! of Almodóvar's recent films is passionate, heartbreaking, intoxicating--there aren't enough adjectives to praise this remarkable filmmaker, who is at the height of his powers. Talk to Her is superb, with outstanding performances from all involved. --Bret Fetzer

The Flower of My Secret
Pedro Alomodóvar made this misfired, rambling comedy about a romance novelist (Marisa Paredes) whose crumbling marriage has left her depressed and unable to work. At a low point, she writes a scathing indictment of her own books (which are penned under another name), with no one realizing critic and auth! or are one and the same. Almodóvar ( Law of Desire) ha! s the st art of a great idea here, and for once, he's direct about his sympathy for a character. But nothing else about The Flower of My Secret is so clear. Despite its unusual allegiance to the straightforward "women's films" of the 1950s, this movie blows it by becoming needlessly complicated over extraneous junk, forcing one to grope in the dark for Almodóvar's point. -- Tom Keogh

Bad Education
Writer/director Pedro Almodóvar's dark, sexy Hitchcock homage is his best work since his Oscar-winning All About My Mother, and deepened by a sun-dappled sadness. Handsome, enigmatic ! Ángel (Gael García Bernal) arrives at the Spanish movie offices of director Enrique Goded (Fele Martinez) and happily proclaims that he's actually Enrique's long-lost school chum Ignacio--an announcement that is both less than convincing and more than it seems. A novice actor, Ángel pitches a semi-autobiographical screenplay in which he's determined to star, a revenge-laden reflection of the doomed love he and Enrique shared as boys before a pedophile priest cruelly intervened. The script, and the lost days it recalls, carefully unfurls into a series of brooding movies-within-movies and memories-inside-memories, which allow the sensual, multiple-role-playing Bernal to give the performance of his young career--among other things, he makes a stunningly convincing drag queen--and Almodóvar the opportunity to movingly suggest that people will pay any price to ensure that their stories are told. -- Steve Wiecking

Mo! re Still s from Pedro Almodovar Classics Collection(click for larger image)

More Pedro Almodovar at Amazon.com

Songs of Almodóvar CD

Volver

The Films of Pedro Almodóvar

A single mother in Madrid sees her only son die on his 17th birthday as he runs to seek an actress's autograph. She goes to Barcelona to find the lad's father, a transvestite named Lola who does not know he has a child. First she finds her friend, Agrado, also a transvestite; through him she meets Rosa, a young nun bound for El Salvador, and by happenstance becomes the personal assistant of Huma Rojo, the actress her son admired. She helps Huma manage Nina, the co-star and Huma's lover, and she becomes Rosa's caretaker during a dicey pregnancy. With echoes of Lorca, All About ! Eve, and A Streetcar Named Desire, the mothers (and! fathers and actors) live out grief, love, and friendship.After her son is killed in an accident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actresses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces a! ll human possibilities with bright colors and melodramatic plotting. However, All About My Mother approaches its twists and turns with a broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. --Bret FetzerVOLVER - DVD MovieSpanish for "Coming Back," Volver is a return to the all-female format of All About My Mother. Unlike Pedro Almodóvar's previous two pictures, the story revolves around a group of women in Madrid and his native La Mancha. (The cast received a collective best actress award at Cannes.) Raimunda (a zaftig Penélope Cruz) is the engine powering this heartfelt, yet humorous vehicle. When husband Paco (Antonio de la Torre) is murdered,! Raimunda makes like Mildred Pierce to deflect attention away ! from dau ghter Paula (Yohana Cobo). After telling everyone the lout has left, she struggles to conceal his body. The other women in her life all have secrets of their own. Her sister, Sole (Lola Dueñas), for instance, has taken in their mother, Irene (a sprightly Carmen Maura). Since Irene perished in a fire, is this person a ghost or simply a woman who looks like her? Then there's their childhood friend, Agustina (Blanca Portillo), who is desperate to find out why her mother disappeared after the blaze. Was she responsible? Almodóvar deftly blends the ghost story with the murder mystery in his tribute to the Italian neo-realist films of the 1950s. The resilient Raimunda is a throwback to the earthy heroines of Sophia Loren and Anna Magnani. The latter appears in Luchino Visconti's Bellissima, which shows up on Sole's television one night (thus confirming the link). If Almodóvar’s 16th feature lacks the emotional punch of the more audacious Talk to Her, it's less h! eavy-handed than Bad Education and Cruz is a revelation. --Kathleen C. Fennessy

Great Soul: Mahatma Gandhi and His Struggle with India

• ISBN13: 9780307269584
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Mohandas K. Gandhi is one of the most inspiring figures of our time. In his classic autobiography he recounts the story of his life and how he developed his concept of active nonviolent resistance, which propelled the Indian struggle for independence and countless other nonviolent struggles of the twentieth century.

In a new foreword, noted peace expert and teacher Sissela Bok urges us to adopt Gandhi's "attitude of experimenting, of tesing what will and will not bear close scrutiny, what can and cannot be adapted to new circumstances,"in order to bring about change in our own lives and communities.

All royalties earned on this book are paid to the Navajivan Trust, founded by Gandhi, f! or use in carrying on his work.Gandhi's nonviolent struggles in South Africa and India had already brought him to such a level of notoriety, adulation, and controversy that when asked to write an autobiography midway through his career, he took it as an opportunity to explain himself. Although accepting of his status as a great innovator in the struggle against racism, violence, and, just then, colonialism, Gandhi feared that enthusiasm for his ideas tended to exceed a deeper understanding. He says that he was after truth rooted in devotion to God and attributed the turning points, successes, and challenges in his life to the will of God. His attempts to get closer to this divine power led him to seek purity through simple living, dietary practices (he called himself a fruitarian), celibacy, and ahimsa, a life without violence. It is in this sense that he calls his book The Story of My Experiments with Truth, offering it also as a reference for t! hose who would follow in his footsteps. A reader expecting a c! omplete accounting of his actions, however, will be sorely disappointed.

Although Gandhi presents his episodes chronologically, he happily leaves wide gaps, such as the entire satyagraha struggle in South Africa, for which he refers the reader to another of his books. And writing for his contemporaries, he takes it for granted that the reader is familiar with the major events of his life and of the political milieu of early 20th-century India. For the objective story, try Yogesh Chadha's Gandhi: A Life. For the inner world of a man held as a criminal by the British, a hero by Muslims, and a holy man by Hindus, look no further than these experiments. --Brian BruyaMohandas K. Gandhi, called Mahatma (“great soul”), was the father of modern India, but his influence has spread well beyond the subcontinent and is as important today as it was in the first part of the twentieth century and during this nation’s own civil rights movement. Taken from G! andhi’s writings throughout his life, The Essential Gandhi introduces us to his thoughts on politics, spirituality, poverty, suffering, love, non-violence, civil disobedience, and his own life. The pieces collected here, with explanatory head notes by Gandhi biographer Louis Fischer, offer the clearest, most thorough portrait of one of the greatest spiritual leaders the world has known.
“Gandhi was inevitable. If humanity is to progress, Gandhi is inescapable. . . . We may ignore him at our own risk.” â€"Dr. Martin Luther King, Jr.

With a new Preface drawn from the writings of Eknath Easwaran

In the annals of spirituality certain books stand out both for their historical importance and for their continued relevance. The Vintage Spiritual Classics series offers the greatest of these works in authoritative new editions, with specially commissioned essays by noted contemporary commentators. Filled with eloquence and fresh insight, encouragement an! d solace, Vintage Spiritual Classics are incomparable resource! s for al l readers who seek a more substantive understanding of mankind's relation to the divine. A critical masterpiece, GANDHI is an intriguing story about activism, politics, religious tolerance and freedom. But at the center of it all is an extraor- dinary man who fought for a nonviolent, peaceful existence, and set an entire nation free. Winner of 8 Academy Awards® including Best Picture, Best Director (Lord Richard Attenborough) and Best Actor (Sir Ben Kingsley), GANDHI’s highly acclaimed cast also includes Candice Bergen, Edward Fox, Sir John Gielgud, Roshan Seth and Martin Sheen.

The extras include more than 90 minutes of new material, including interviews with director Lord Richard Attenborough; actors Geraldine James, Saeed Jaffrey, and Edward Fox; Diana Hawkins (Director of Publicity), Terry Clegg (Executive in charge of production), Billy Williams (Cinematographer) and Stuart Craig (Production Designer). The DVD includes a Director’s commentary with Attenb! orough, who also filmed a personal introduction to the film. The featurettes include In Search of Gandhi, Reflections on Ben, Madeleine Slade: An Englishwoman Abroad, The Funeral, Shooting an Epic In India, Looking Back, Designing Gandhi (3 mini featurettes) and From the Director’s Chair (2 mini featurettes). Sir Richard Attenborough's 1982 multiple-Oscar winner (including Best Picture, Best Director, and Best Actor for Ben Kingsley) is an engrossing, reverential look at the life of Mohandas K. Gandhi, who introduced the doctrine of nonviolent resistance to the colonized people of India and who ultimately gained the nation its independence. Kingsley is magnificent as Gandhi as he changes over the course of the three-hour film from an insignificant lawyer to an international leader and symbol. Strong on history (the historic division between India and Pakistan, still a huge problem today, can be seen in its formative stages here) as well as character and ideas, this is a f! ine film. --Tom Keogh

< strong>Stills from Gandhi (click for larger image)

Beyond Gandhi on Amazon.com

Other Oscar Winners at Oscar Central

More Biographies on DVD

The Films of Ben Kingsley

This book was converted from its physical edition to the digital for! mat by a community of volunteers. You may find it for free on ! the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.A highly original, stirring book on Mahatma Gandhi that deepens our sense of his achievements and disappointmentsâ€"his success in seizing India’s imagination and shaping its independence struggle as a mass movement, his recognition late in life that few of his followers paid more than lip service to his ambitious goals of social justice for the country’s minorities, outcasts, and rural poor.

Pulitzer Prizeâ€"winner Joseph Lelyveld shows in vivid, unmatched detail how Gandhi’s sense of mission, social values, and philosophy of nonviolent resistance were shaped on another subcontinentâ€"during two decades in South Africaâ€"and then tested by an India that quickly learned to revere him as a Mahatma, or “Great S! oul,” while following him only a small part of the way to the social transformation he envisioned. The man himself emerges as one of history’s most remarkable self-creations, a prosperous lawyer who became an ascetic in a loincloth wholly dedicated to political and social action. Lelyveld leads us step-by-step through the heroicâ€"and tragicâ€"last months of this selfless leader’s long campaign when his nonviolent efforts culminated in the partition of India, the creation of Pakistan, and a bloodbath of ethnic cleansing that ended only with his own assassination.

India and its politicians were ready to place Gandhi on a pedestal as “Father of the Nation” but were less inclined to embrace his teachings. Muslim support, crucial in his rise to leadership, soon waned, and the oppressed untouchablesâ€"for whom Gandhi spoke to Hindus as a wholeâ€"produced their own leaders.

Here is a vital, brilliant reconsideration of Gandhi’s extraordinary struggles ! on two continents, of his fierce but, finally, unfulfilled hop! es, and of his ever-evolving legacy, which more than six decades after his death still ensures his place as India’s social conscienceâ€"and not just India’s.Amazon Best Books of the Month, April 2011: With Great Soul, Pulitzer Prize-winner Joseph Lelyveld accomplishes the difficult task of humanizing the fabled "Mahatma." Utterly unafraid of depicting Gandhi's less palatable tendencies--shameless self-promotion, inscrutable sexual mores, and an often narrow and ethnically specific application of his evolving political tenets--Lelyveld instead stands the man up against the myth. Comprehensively researched and confidently written, Lelyveld's exploration of Gandhi's politically formative years in South Africa, and the international profile he later secured in India, demonstrates laudable (if not unflinching) critical distance from his subject. It takes a brave biographer to pull this off respectfully. (See Christopher Hitchens’s book on Mother Theresa fo! r a contrary and maudlin example.) Lelyveld is up to the job, delivering an ultimately indispensable take on the flesh-and-blood man who may have been his own best hagiographer. Everyone with an interest in Gandhi--from incurable skeptics to unabashed devotees--should find much to learn from one of the year’s best biographies to date. --Jason Kirk

Four Film Favorites: Final Destination Collection (Final Destination / Final Destination 2 / Final Destination 3 / The Final Destination)

• FINAL DESTINATIONAfter an eerie premonition leads a handful of passengers to disembark an ill-fated flight, Death with all its ingenious contraptions of doom at the ready stalks those survivors (Devon Sawa, Ali Larter, Kerr Smith and more) one by one in the gory, gleeful shocker that launched the fright-filled film series. Final Destination: the start of it all! INCLUDES: Widescreen Version [16x9

Final Destination, Final Destination 2, Final Destination 3, and The Final Destination (2009) FINAL DESTINATION INCLUDES: • Widescreen Version [16x9 1.85:1] • Director/Writers/Editor Commentary • Cast Commentary • 5.1 Isolated Score Audio Track with Commentary by Composer Shirley Walker • Additional Scenes and Alternate Endings • 2 Featurettes: Test Screenings and Premonitions • 2 Games: Death Clock and Psychic Test • Theatrical Trailer • Subtitles: English (Main Feature.Bonus Mater! ial/Trailer May Not Be Subtitled.). FINAL DESTINATION 2 INCLUDES: • Widescreen Version [16x9 1.85:1] • Director/Producer/Screenwriters Commentary • Deleted/Alternate Scenes • Selectable Fact Track with Intriguing Making-of Factoids â€" All As You Watch the Movie • 3 Featurettes The Terror Gauge, Cheating Death: Beyond and Back and Bits & Pieces: Bringing Death to Life • Theatrical Trailer • Subtitles: English (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). FINAL DESTINATION 3 INCLUDES: • Widescreen Version [16x9 2.4:1] • Enjoy 2 Editions of the Film: Original Theatrical Movie and the Choose Their Fate! Version Where You Control the Characters’ Outcomes • Director/Writers/Cinematographer Commentary • Subtitles: English & Español (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). THE FINAL DESTINATION INCLUDES: • Widescreen Version [16x9 2.4:1] • Additional Scenes • Subtitles: English & Español (Main Feature. Bonus Materi! al/Trailer May Not Be Subtitled).

Forces of Nature : Widescreen Edition

• Widescreen

FORCES OF NATURE - DVD MoviePlane crashes, pickpockets, hurricanes--heaven and hell is moving to prevent our able hero Ben (Ben Affleck) from marrying his sweetie (Maura Tierney) in Savannah. At every turn he runs into someone else despairing about the woes of married life. And of course, temptation proves overwhelming in the face of traveling companion Sarah (Sandra Bullock), the wild woman whom he can't seem--or doesn't want--to lose.

After a wayward bird flies into the engine of his airplane, Ben is forced to find another way to his wedding. He finds himself stuck with Sarah, whom he carried from the plane after she was whacked in the noggin by his laptop. The heat between them is unmistakable, and the drama in the film comes from the "will he or won't he," both in terms of sleeping with Sarah and meeting up with his bride. Forces of Nature is a fun and sentimental r! oad-trip film, but Ben is such a strait-laced noodge, you can't help but want him to fall flat on his face just a little. Bullock is the life of this film, although her free-spirited ways get a bit tired (responsibility is not all bad). The highlight of this movie, though, is definitely the cinematography. The beautiful rain shots and the colors of the scenes lend to the unsettling mood. While the jokes are not rip-roaring, Forces is to be reckoned with for those times when a lighthearted film is what you need. --Jenny BrownFORCES OF NATURE - DVD MovieIn recent years, we've seen just how unpredictable - and dangerous - weather can be. Flash floods. Tsunamis. Class 5 hurricanes. Freak ice storms. Catastrophic mudslides. Nature has not only changed the face of the Earth, but also the lives of those who've found themselves in its fierce path. With award-winning and never-before-seen footage, Full Force Nature captures extreme weather in all its terr! ible beauty, and the stories of those who've survived it.
FEATURING 12 EPISODES

Slippery when wet…

Forces of Nature, Book 1

From her first kiss to her first sight of dolphins dancing on the waves, Alexia Colten has always held a special place in her heart for Jaffrey’s Cove. Now that she’s back to help her grandmother settle into a home, she discovers this place has lost none of its remembered magic. In fact, it seems more magical than beforeâ€"and more erotic.

After she’s gifted with a beautiful, dolphin-etched medallion, she finds herself surrounded by the golden boys of summers past. Her body is filled with longings she can’t explain and dreams of blue lights that turn into lovers.

Joshua Marley and his cousin Anthony are merfolk, a people capable of living beneath the waves as either dolphin or human. Alexia holds the medallion that marks her as the next in line to lead their peopleâ€"if she can prove she can transform. Working in tandem, they’re sure th! ey can arouse her passion and protect her from those who would use her simply to gain power.

But their strength alone may not be enough to help her face the challenge of her new position…

Warning: This title contains a conniving granny, naked men in the surf and shifters who take fun in the water to new depths. Snorkels not required.

Slippery when wet…

Forces of Nature, Book 1

From her first kiss to her first sight of dolphins dancing on the waves, Alexia Colten has always held a special place in her heart for Jaffrey’s Cove. Now that she’s back to help her grandmother settle into a home, she discovers this place has lost none of its remembered magic. In fact, it seems more magical than beforeâ€"and more erotic.

After she’s gifted with a beautiful, dolphin-etched medallion, she finds herself surrounded by the golden boys of summers past. Her body is filled with longings she can’t explain and dr! eams of blue lights that turn into lovers.

Joshua Ma! rley and his cousin Anthony are merfolk, a people capable of living beneath the waves as either dolphin or human. Alexia holds the medallion that marks her as the next in line to lead their peopleâ€"if she can prove she can transform. Working in tandem, they’re sure they can arouse her passion and protect her from those who would use her simply to gain power.

But their strength alone may not be enough to help her face the challenge of her new position…

Warning: This title contains a conniving granny, naked men in the surf and shifters who take fun in the water to new depths. Snorkels not required.

DVD

Half Past Dead

• ISBN13: 9780758246974
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

At a re-activated Alcatraz, a Supreme Court justice has been taken hostage, a criminal slated for death knows where to find $200 million dollars, commandos prepare to storm the Rock and a lone FBI agent tries to neutralize the situation.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 3-FEB-2004
Media Type: DVDDespite critical roasting and a blink-and-you-missed it theatrical release, Half Past Dead is surprisingly not half bad. Once you recognize this bastard child's recent action-flick heritage (The Rock being the most obvious of a dozen pilfered plot lines), you can kick back and enjoy the unexpected perks that arise when a deep-c! over FBI sleuth (Steven Seagal) accompanies a convicted crook (rapper Ja Rule) into "New Alcatraz" prison. A death-row killer (Bruce Weitz) sits on a $200 million goldmine, keeping his secret as a bargaining chip when criminal commandos (led by the ever-cool Morris Chestnut) drop in for a lethally greedy raid. After cutting his teeth on trashy, short-lived TV series, director Don Michael Paul can't do much to help the puffy, career-tanking Seagal, but he's got lively allies in Ja Rule and alleged "has-been" Nia Peeples (forget Lara Croft, this babe rocks), and even legendary action-TV producer Stephen J. Cannell drops in for a cameo. Derivative from the get-go, but fun just the same. --Jeff Shannon

Former WWE & WCW World Champion Bill Goldberg and hip-hop group Tha Dog Pound's Ricardo "Kurupt" Brown push life to the limit in this explosive sequel to the 2002 hit movie Half Past Dead.

Burk (Goldberg) and Twitch (Kurupt), are two inmates serving! time at Craton Prison, a notoriously tough and violent penite! ntiary r uled by rival gangs. When a riot breaks out and the prison goes into lockdown, the two must form an unlikely alliance to stay alive. Together, they navigate the hostile gang territory under the watchful eye of unsympathetic prison guards, in order to learn the identity of the inmate responsible for the riot. Eventually Burk discovers that gang leader, Cortez, is behind the riot and find that he's taken two hostages: Cherise, Twitch's fiancee and Ellie, Burk's daughter. Twitch and Burk find they must work together in order to save their loved ones and bring Cortez down.

Welcome to Alcatraz. "The Rock" has just re-opened for business, but the first criminal slated for the electric chair is also sitting on a secret worth $200 million. And an invading group of commandos (led by Morris Chestnut) isn't going to let his fortune go up in smoke. Already undercover in Alcatraz, FBI Agent Petrosevitch (Steven Seagal) has to neutralize the situation and rescue a Supreme Court Justice! held hostage. Worse, he has to convince his convict "partner" (Ja Rule) and the other inmates to fight on the right side of the law.Despite critical roasting and a blink-and-you-missed it theatrical release, Half Past Dead is surprisingly not half bad. Once you recognize this bastard child's recent action-flick heritage (The Rock being the most obvious of a dozen pilfered plot lines), you can kick back and enjoy the unexpected perks that arise when a deep-cover FBI sleuth (Steven Seagal) accompanies a convicted crook (rapper Ja Rule) into "New Alcatraz" prison. A death-row killer (Bruce Weitz) sits on a $200 million goldmine, keeping his secret as a bargaining chip when criminal commandos (led by the ever-cool Morris Chestnut) drop in for a lethally greedy raid. After cutting his teeth on trashy, short-lived TV series, director Don Michael Paul can't do much to help the puffy, career-tanking Seagal, but he's got lively allies in Ja Rule and alleged "has-been"! Nia Peeples (forget Lara Croft, this babe rocks), and ! even leg endary action-TV producer Stephen J. Cannell drops in for a cameo. Derivative from the get-go, but fun just the same. --Jeff ShannonThe Undying Heart by Zoe Archer - Samuel Reed had no idea magic existed, until it almost destroyed him. Thirsting for vengeance against the enemy who made him something less than human, Sam returns to England and crosses paths with Cassandra Fielding. His best friend's little sister has become a fearless woman on a dangerous mission of her own. And against all odds, she sees past what he's become, and stirs a desire he thought he'd lost forever...Simon Says by Bianca D'Arc - Special Forces soldier Simon Blackwell ended his affair with Mariana Daniels three years ago, but he hasn't stopped protecting her. Mariana has no knowledge of the dark, deadly creatures that lurk in the forest surrounding her clinic, or of the mysterious powers that make Simon the only one who can defeat them. But soon he'll have no choice but to reveal the truth, an! d urge her to trust in an explosive passion that never faded.

Alvin and the Chipmunks Scare-Riffic Double Feature

• Features include: -MPAA Rating: UNRATED -Format: DVD-Runtime: 120 minutes

Studio: Uni Dist Corp. (mca) Release Date: 07/24/2007 Run time: 145 minutes Rating: NrOver 10 years after first turning down the role, Bela Lugosi donned the neck bolts and platform boots to play Frankenstein's monster for the first and only time in Frankenstein Meets the Wolfman. Larry Talbot (Lon Chaney Jr., reprising his most famous role), killed at the end of The Wolf Man, is inexplicably alive and searching for the brilliant Dr. Frankenstein but instead finds the Monster, frozen in ice beneath the castle, and an ambitious scientist (Patric Knowles) who revives the creature and promises to cure Larry. Lugosi is lurching and clumsy as the Monster, while Chaney is appropriately tortured as Larry but stiff and snarly as the Wolf Man, more man than wolf. Last-minute cuts by the studio renders much of th! e film incomprehensible: the monster was left blind and vocal at the end of Ghost of Frankenstein, but all references to either were deleted (which partly accounts for Lugosi's performance) and he's now sighted but mute. Roy William Neill, a talented B-movie director best known for his Sherlock Holmes films with Basil Rathbone, can't do much with the perfunctory script, but he does deliver a highly entertaining conclusion: the Wolf Man battles the Monster while a spectacular disaster (accomplished with obvious but charming models) wipes the castle off the face of the earth... at least until House of Frankenstein the next year. --Sean AxmakerFor the first time ever, the original The Wolf Man film comes to DVD in this extraordinary Legacy Collection. Included in the collection is the original classic, starring the renowned Lon Chaney Jr., and three timeless sequels, featuring legendary actor Bela Lugosi and others. These are the landmark films that inspir! ed an entire genre of movies and continue to be major influenc! es on mo tion pictures to this day.Universal's first werewolf film falls in the shadow of the 1941 hit The Wolf Man. You might say it's a different animal, as this version carries none of the now-familiar trappings of the wolf-man legend: no wolfsbane, no silver bullets, no gypsy curse. Dr. Wilfrid Glendon (Henry Hull) is a London botanist whose search for a rare flower takes him to a "cursed" valley in Tibet where he's mauled in the moonlight by a wolflike creature. Back in London he meets the mysterious Dr. Yogami (a marvelously melancholy performance by Warner Oland), who explains they met once before "in Tibet... in the dark" before asking for a flower from his botanical find, the only antidote for his curse. Glendon scoffs at his stories of werewolves--until he transforms into a hirsute killer under the effect of the full moon. Although leaner and edgier than the famous 1941 Lon Chaney classic, The Werewolf of London stumbles with the corny Scotland Yard investigat! ion of the murder spree and gets sidetracked in the bizarre bickering of two old drunken cronies. But it takes flight in wonderfully imaginative and eerie scenes and striking action sequences, while a Jekyll-and-Hyde dynamic turns a jealous squabble between Glendon and his young wife Lisa (Valerie Hobson) into the tragic twist of the curse: "The werewolf instinctively kills the thing it loves best." --Sean AxmakerABBOTT & COSTELLO MEET FRANKENSTEIN - DVD MovieUniversal Pictures made a great deal of money from its monster movies in the 1930s. In the early '40s, the burlesque team of Bud Abbott and Lou Costello kept the studio's coffers full. When the two franchises were combined in 1948, the result was another windfall--despite the apparent oil-and-water mix of subject matter. Abbott and Costello Meet Frankenstein was the first of these summit meetings, although the title is a misnomer. Actually, Bud and Lou bump into most of the Universal heavy-hitters, includ! ing Count Dracula (played by Béla Lugosi himself), the Wolfma! n (Lon C haney Jr.), and the Frankenstein monster (veteran monster Glenn Strange). There's even a token appearance by the Invisible Man, whose disembodied voice is recognizable as that of Vincent Price. Sure enough, the film is funny, especially since it gives the portly Costello multiple opportunities to do his wide-eyed, quivering scaredy-cat routine. Audiences ate it up, and in future installments Bud and Lou would run into Boris Karloff, Dr. Jekyll and Mr. Hyde, the Invisible Man, and the Mummy. But the first was the best. --Robert Horton 2 fun-tastic adventures on one irresistible DVD!

Get ready for hilarious thrills and chills as everyone's favorite mischief-makers â€" chipmunk brothers Alvin, Simon and Theodore â€" bring timeless entertainment to the whole family in the Alvin and the Chipmunks Scare-riffic Double Feature! These two full-length, spooky adventures promise hours of song-filled, wacky fun and spook-tacular escapades. Join the world's most famous chipmun! ks as they uproariously collide with the legendary doctor and his creation in Alvin and the Chipmunks Meet Frankenstein. Race against the next full moon with the madcap brothers and their gal pal Chipettes as they howl with laughter in Alvin and the Chipmunks Meet the Wolfman. For high quality haunts and delightful antics, take home this must-own collection!

ALVIN AND THE CHIPMUNKS MEET FRANKENSTEIN The mischievous brothers explore a popular theme park attraction, Frankenstein's Castle, that's been taken over by the real doctor and his beloved Monster!

ALVIN AND THE CHIPMUNKS MEET THE WOLFMAN Monster-obsessed Alvin is sure that the mysterious new neighbor is a werewolf, but the fun and frights really begin when Theodore starts acting strangely, too!

Green Lantern (Three-Disc Combo: Blu-ray 3D / Blu-ray / DVD / UltraViolet Digital Copy)

• Recreate your favorite Green Lantern moments with this new playset
• Includes Green Lantern figure, Kilowog figure, and a projectile launcher
• The projectile launcher and the lantern lights up
• Turn an activation disk to open the doors and explore the Planet OA
• Fun for all boys

In a universe as vast as it is mysterious, an elite force of protectors for peace and justice has existed for centuries. They are the Green Lantern Corps. When a new enemy called Parallax threatens to destroy the Universe, their fate and the fate of Earth lie in the hands of the Corps' newest recruit, the first human ever selected: Hal Jordan (Ryan Reynolds). Bringing the popular superhero to the big screen for the first time, Green Lantern also stars Blake Lively (Gossip Girl), Peter Sarsgaard (Orphan), Mark Strong (Sherlock Holmes), Academy Award® nominee Angela Basse! tt* and Academy Award® winner Tim Robbins**. As far as superheroes go, Green Lantern may lack the clean, iconic lines of his more respectable DC counterparts Superman and Batman, but the very wonkiness of the premise (earthling joins elite force of space cops) lends itself to a pulpy, operatic, not-entirely-serious approach. (One of his teammates is a talking carrot, after all.) Capitalizing on a charming performance by Ryan Reynolds, the feature-film adaptation is a big, messy movie that, at its best, generates a feeling of aw-shucks wonder. Much like Thor, it isn't afraid to loosen up on the inner turmoil of its hero and go macro. Based on comic writer Geoff Johns's retrofitting of the title character, the story follows Hal Jordan (Reynolds), an impulsive test pilot whose encounter with a dying alien leaves him with an energy ring capable of weaponizing his imagination. While struggling to master his will-based powers, he must deal with threats both earthbound (a ! hilariously nebbishy Peter Saarsgard, who may be the first sup! ervillai n to rock a hoodie) and galactic. Martin Campbell, a director who specializes in more down-to-earth heroics (Casino Royale,The Mask of Zorro), brings a pleasing matter-of-fact baseline to the proceedings, an approach that makes the increasingly outlandish effects truly feel special when they occur. Green Lantern has its debits, certainly--the lack of a memorable theme, a second act that hems and haws before getting to the action, the standard origin story shoehorning in too many secondary plots--but its final scenes succeed on a Gigantor, cosmic level where most superhero movies fear to tread. The bigger it goes, the more goofily enjoyable it gets. --Andrew WrightIn a universe as vast as it is mysterious, an elite force of protectors for peace and justice has existed for centuries. They are the Green Lantern Corps. When a new enemy called Parallax threatens to destroy the Universe, their fate and the fate of Earth lie in the hands of the Corps' ne! west recruit, the first human ever selected: Hal Jordan (Ryan Reynolds). Bringing the popular superhero to the big screen for the first time, Green Lantern also stars Blake Lively (Gossip Girl), Peter Sarsgaard (Orphan), Mark Strong (Sherlock Holmes), Academy Award® nominee Angela Bassett* and Academy Award® winner Tim Robbins**. As far as superheroes go, Green Lantern may lack the clean, iconic lines of his more respectable DC counterparts Superman and Batman, but the very wonkiness of the premise (earthling joins elite force of space cops) lends itself to a pulpy, operatic, not-entirely-serious approach. (One of his teammates is a talking carrot, after all.) Capitalizing on a charming performance by Ryan Reynolds, the feature-film adaptation is a big, messy movie that, at its best, generates a feeling of aw-shucks wonder. Much like Thor, it isn't afraid to loosen up on the inner turmoil of its hero and go macro. Based on comic writer Geoff Jo! hns's retrofitting of the title character, the story follows H! al Jorda n (Reynolds), an impulsive test pilot whose encounter with a dying alien leaves him with an energy ring capable of weaponizing his imagination. While struggling to master his will-based powers, he must deal with threats both earthbound (a hilariously nebbishy Peter Saarsgard, who may be the first supervillain to rock a hoodie) and galactic. Martin Campbell, a director who specializes in more down-to-earth heroics (Casino Royale,The Mask of Zorro), brings a pleasing matter-of-fact baseline to the proceedings, an approach that makes the increasingly outlandish effects truly feel special when they occur. Green Lantern has its debits, certainly--the lack of a memorable theme, a second act that hems and haws before getting to the action, the standard origin story shoehorning in too many secondary plots--but its final scenes succeed on a Gigantor, cosmic level where most superhero movies fear to tread. The bigger it goes, the more goofily enjoyable it gets. --Andrew WrightThe Imaginext Green Lantern playset comes with a Green Lantern figure, a Kilowog figure, B’DG the squirrel figure, a projectile launcher, a projectile and a lantern that really lights up. Turn an activation disk to open the doors and explore the Planet OA. Boys will love recreating their favorite Green Lantern moments with this new playset.Imagine…a world of action and excitement where you decide what happens next! This time, it’s a trip to Planet OA with super hero Green Lantern, Kilowog and B’DG the squirrel. Whatever world you travel to, it’s a whole new adventure every time you play! For kids ages 3 to 8 years.

Playset includes 3 figures, 1 light-up lantern, a projectile launcher, and ! more!

Turn figures on the playset disks to activate special features.

Inspiring Imaginative Play!
“In brightest day, in blackest night, no evil shall escape my sight. Let those who worship evil's might, BEWARE MY POWER ... Green Lantern's Light!” Green Lantern wears a ring that channels pure willpower in the form of green energy. He uses that energy in a number of waysâ€"blasting an energy ray, creating a force field or even creating solid objectsâ€"to help him fight the forces of evil. Kilowog and his animal sidekick B’DG are two of those evil forces.

Turn on the Adventure!
With Imaginext Green Lantern Planet OA Playset, kids get to make the action happen! They turn the Green Lantern figure on a disk, and a door opens. They turn the Kilowog figure on ano! ther disk to aim the launcher, then press to fire! There’s a lantern that lights up at the press of a button, and a space tether that attaches to a figureâ€"kids can just spin the thumbwheel to let that figure explore Planet OA!

Build Confidence and Develop Imagination
As characters in your child’s adventures, Imaginext figures like Green Lantern and Kilowog can help your child build self-confidence and eagerness to explore. The Green Lantern Planet OA play set provides a backdrop for your child to expand the boundaries of his imagination. And using his imagination is the best adventure of all!

What's In The Box?
1 moon base, 3 figures, 1 light-up lantern, 1 projectile launcher with 1 projectile, 3 button cell batteries, and a DC Super Friends DVD.

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In a universe as vast as it is mysterious, an elite force of protectors for peace and justice has existed for centuries. They are the Green Lantern Corps. When a new enemy called Parallax threatens to destroy the Universe, their fate and the fate of Earth lie in the hands of the Corps' newest recruit, the first human ever selected: Hal Jordan (Ryan Reynolds). Bringing the popular superhero to the big screen for the first time, Green Lantern also stars Blake Lively (Gossip Girl), Peter Sarsgaard (Orphan), Mark Strong (Sherlock Holmes), Academy Award® nominee Angela Bassett* and Academy Award® winner Tim Robbins**. As far as superheroes go, Green Lantern may lack the clean, iconic lines of his more respectable DC counterparts Superman and Batman, but the very wonkiness of the premise (earthling joins elite force of space cops) lends itself to a pulpy, operatic, not-entirely-serious approach. (One of his teammates is a t! alking carrot, after all.) Capitalizing on a charming performance by Ryan Reynolds, the feature-film adaptation is a big, messy movie that, at its best, generates a feeling of aw-shucks wonder. Much like Thor, it isn't afraid to loosen up on the inner turmoil of its hero and go macro. Based on comic writer Geoff Johns's retrofitting of the title character, the story follows Hal Jordan (Reynolds), an impulsive test pilot whose encounter with a dying alien leaves him with an energy ring capable of weaponizing his imagination. While struggling to master his will-based powers, he must deal with threats both earthbound (a hilariously nebbishy Peter Saarsgard, who may be the first supervillain to rock a hoodie) and galactic. Martin Campbell, a director who specializes in more down-to-earth heroics (Casino Royale,The Mask of Zorro), brings a pleasing matter-of-fact baseline to the proceedings, an approach that makes the increasingly outlandish effects truly fe! el special when they occur. Green Lantern has its debit! s, certa inly--the lack of a memorable theme, a second act that hems and haws before getting to the action, the standard origin story shoehorning in too many secondary plots--but its final scenes succeed on a Gigantor, cosmic level where most superhero movies fear to tread. The bigger it goes, the more goofily enjoyable it gets. --Andrew Wright