Annie

• Disney makes this beloved musical more magical than ever with an all-new, feature-length production! Featuring an all-star cast and new choreography, this charming tale of an adorable orphan named Annie captures all the fun of the original but adds an unmistakable Disney touch! For a young girl living a "hard knock life" in a children s orphanage, things may seem pretty bad especially at Christ

This is an OCR edition without illustrations or index. It may have numerous typos or missing text. However, purchasers can download a free scanned copy of the original rare book from GeneralBooksClub.com. You can also preview excerpts from the book there. Purchasers are also entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Original Published by: Massachusetts Sabbath School Society in 84 pages; Subjects: Drama / General; ! Fiction / Classics; Language Arts & Disciplines / Composition & Creative Writing; Literary Collections / General; Literary Collections / American / General; Literary Collections / Essays; Literary Criticism / General; Literary Criticism / American / General; Literary Criticism / European / English, Irish, Scottish, Welsh;Disney makes this beloved musical more magical than ever with an all-new, feature-length production! Featuring an all-star cast and new choreography, this charming tale of an adorable orphan named Annie captures all the fun of the original, but adds an unmistakable Disney touch! For a young girl living a "hard-knock" life in a children's orphanage, things may seem pretty bad -- especially at Christmas. But feisty Annie carries a song in her heart and hope in her locket -- the only thing she has from her parents. One day, fed up with the dastardly Miss Hannigan (Academy Award(R)-winner Kathy Bates), Annie escapes the rundown orphanage determined to find her ! mom and dad. Her adventure takes her from the cold, mean stree! ts of Ne w York to the warm, comforting arms of bighearted billionaire Oliver Warbucks, with plenty of mischief and music in between! Filled with memorable songs and magical moments, Disney's ANNIE brings this heartwarming story to a whole new generation. And now you can relive the magic over and over again!Disney's 1999 TV production of the classic 1977 musical Annie is remarkable for its casting of stage actors rather than ratings trump cards. Tony winners Audra McDonald (Grace), Alan Cumming (Rooster), and Kristin Chenoweth (Lily) join four-time nominee Victor Garber (Daddy Warbucks) and Les Misérables veteran Alicia Morton (Annie) to tell the tale of the Depression-era orphan who gets a taste of the upper-crust life. Not surprisingly, they all turn in strong performances, and even Oscar-winner Kathy Bates acquits herself well in a singer's role, as the villainous Miss Hannigan. Perhaps best of all is the original title moppet, Andrea McArdle, making a sensational o! ne-minute cameo as the Broadway Star-To-Be in "N.Y.C."

Compared to John Huston's plodding, overly busy 1982 theatrical release, this production as directed by Rob Marshall (Cabaret, among other shows) is quite conservative; few numbers leave the confines of their sets, giving it the feel of a stage production. It is also more faithful as a whole to the Broadway original, though at a running time of 90 minutes it leaves out most of the historical context of the FDR administration as well as some of Charles Strouse and Martin Charnin's familiar songs, and makes a few plot changes, some of which work and some of which don't. Because of the omissions, this probably isn't a definitive film translation of Annie, but it's well paced for a young audience, and would be an excellent introduction to get children interested in live theater. Annie was produced by the team behind the 1993 telecast of Gypsy with Bette Midler, as well as 1997's Brandy-Whitne! y Houston Cinderella, and there are plans for many othe! rs. As B roadway shows are too often represented on video by inferior big-screen translations, this trend toward good, solid small-screen productions is most welcome. --David Horiuchi